The New Statesman
•Entertainment
Entertainment
64% Informative
Natasha Brown's debut a cleanly written 112 pages told the story of a black British woman as she prepares for a party at her white boyfriend’s family estate.
In Universality, she examines how identity politics is cynically co-opted, especially by the media classes.
While Assembly brought to mind the vivid interiority of Virginia Woolf , Universality is a satire.
Natasha Brown is a daring writer, and with her witty, often savage prose, she sees through every one of us.
There's a lot in here that will upset various corners of the media elite, which is no bad thing.
The novel's brevity and flipping between perspectives doesn't offer a substantive opportunity to try.
VR Score
55
Informative language
48
Neutral language
11
Article tone
semi-formal
Language
English
Language complexity
54
Offensive language
possibly offensive
Hate speech
not hateful
Attention-grabbing headline
not detected
Known propaganda techniques
not detected
Time-value
medium-lived
External references
3
Source diversity
3
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